Відео

Generally GM-800 has the most recent and advanced tracking. But, pitch to MIDI for things like controlling other synths still isn't perfect. You're better off creating or downloading sounds via Zenology Pro directory into the GM-800 and skipping the whole MIDI translation process all together. That's what GM-800 was/is primarily designed for. Thanks for watching, TJ

Pairing with MPE compatible synths is straightforward, most times depending on what you're working with. GR-1 does live granular and sampling, but it requires a class compliant audio interface to be used with it. Tasty Chips is now taking orders for the GR-MEGA. GR-MEGA has its own audio inputs. Thanks for watching, TJ

Yes, but you'll need a powered USB host to MIDI device between the two. In this video, I'm using Conductive Labs MRCC MIDI interface for that function when using synths that do not have a direct USB host port. See prior comments for details. Thanks for watching, TJ

Thanks for watching. Cheers, TJ

Thanks for watching. Cheers TJ

To be honest, I didn't favor the Nina sound myself. Although, I've heard examples since this video was posted that have character. I only had about 30 minutes with it. I disagree the digital controls have any real effect on the quality of modern instruments vs vintage. Thanks for watching, TJ

Thanks for watching, TJ

Thanks for your support. Cheers TJ

Thanks for watching, TJ

Hi, Thanks for watching. Not sure what you mean by "sound key". Suggest you contact Roland support.

Hi, there's several possible things you can try to find the issue. Emeo is fairly power hungry. I'm not familiar with the MX49 USB power rating but that's something you should check. Also, a newer USB A to C type cable is required. The correct MIDI channels on both devices is also necessary. Thanks for watching ,TJ

​@tjontheroad How are you connecting the Emeo to your Synthesizers, Are you using the USB-C to USB-A cord that comes with the Emeo ? If you are, do you plug the USB-A straight into the back of your Synthesizers USB-A (HOST) port ?

Depends on the synth. Both the Roland Fantom and Waldorf Quantum have USB type A host ports and Emeo is connected directly to them. For the other synths in the video, the Emeo is plugged into a Conductive Labs MRCC MIDI interface via USB. The MRCC channels the input throughout my studio via 5 pin DIN MIDI cable. In all cases, Emeo is connected via an USB type A to type C cable. You can purchase the same cable I used here on Amazon.com www.amazon.com/gp/product/B07BSBNBHP/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&th=1

​@tjontheroad Thanks so much for the Information, you been very helpful and I'll keep watching your channel for more updates and Information

You're welcome. Cheers TJ

Thanks for watching. TJ

Thanks for watching. Cheers, TJ

Sorry, I don't have 6 string bass to test myself. That said, the GM800 does have the latest tracking algorithm. hanks for watching, TJ

The step sequencer isn't the easiest thing to program on LVX itself. Lots of menu paging to get to all the steps. Better on the new editor. I haven't really messed with it too much because of this. Thanks for watching, TJ

Thanks for watching, TJ

I got the WSOD after the first original 2 hours of first turning it on. But not since I updated the firmware. No other issues I've noticed after 9 month and lots of sessions. Cheers, TJ

It certainly should. Thanks for watching, TJ

Thanks for watching and enjoy, TJ

Lol. I never lend any gear. Friendships are too often lost trying to get it back. Thanks for watching, TJ

It is a bit something different. It has a retro vibe all its own. Thanks for watching, TJ

@@tjontheroad You're welcome!

Thanks for watching. Cheers, TJ

I do not. I suggest you ask some of the wind synth groups on Facebook. Thanks for watching, TJ

@@tjontheroad Idid already thanks Im in Isax group

You have made only the correct choice. Well done :) Thanks again watching, TJ

Yes, GM800 does pitch-to-MIDI. See page 19 in the parameter guide for settings. Thanks for watching, TJ

Yeah, I miss that amp. It was a monster. Still have the MDC though. Never will sell that. Thanks for watching, TJ

Hi, the video includes 12 sound samples of both synths. See the chapters to advance to that section. Cheers, TJ

Thank you. It's a cool design you've created. A welcome addition to my arsenal. Cheers, TJ

Quantum is a beast of a synth with a near endless rabbit hole to explore. Thanks for watching, TJ

Hi, There wasn't appreciable loss of tone and/or volume with FX8. Note, anything you put through almost any amp's fx loop will change the sound in some way. This is easily compensated for with EQ and level settings on the amp and/or the fx. Thanks for watching, TJ

@@tjontheroad thanks TJ

YW

The whole video is about how the SY-1000 and GM-800 differ from each other. It's easier to say how they're alike. That is, they're both guitar synths. That's about all they have in common. Thanks for watching, TJ

Thanks for the kind words. Cheers, TJ

Thanks for watching, TJ

Thanks for watching, TJ

GR-1 does have the ability to sample input via any inexpensive class compliant audio interface. Although, it is mono only. Iridium does have stereo sampling. Thanks for watching, TJ

Thank you for watching, TJ

Sorry, I can't help you. I'm still running the older version on an Intel Mac. Thanks for watching, TJ

All soundtower software is a waste of money. It's pure overpriced trash. I've been considering putting them out of business myself, but I know the payout isn't worth my time.

It was good enough for Dave Smith. If you've got something better, I'd love to review it. Thanks for watching, TJ

L5 is a great amp. Very different than the IC100 though. Check out me review of the L5 here; ua-cam.com/video/Sk7e0-tpuD0/v-deo.html Thanks for watching, TJ

Hi, Thanks for watching. At what point in the video are you asking about please? TJ

On the first patch you demonstrated@@tjontheroad. You were showing all the various modulations but had the amplitude of VCO2 turned all the way down throughout but you were still modulating VCO2.

VCO2 parameter "FM 2 > 1" is set to feed into VCO1 slightly and is base tuned to a 5th (7 semitones) with a sub octave blended in. Modulating the pitch of VCO2 and amount of "FM 2 > 1" in VCO2 varies the effect of the frequency modulation (FM). This essentially turns PolyBrute into a 2 operator FM synth where VCO1 is the carrier and VCO2 is the modulator. VCO2 is turned down and not patched to the filters because doing so would mean you'd hear the changes in pitch (as modulated by the looping Mod Envelope). Instead, you hear only the changes in the FM modulated waveform that is coming from VCO1. Simple right? ;-)

Yeah, I need to slow down before I talk lol. Thanks for watching, TJ

The SY-1000 has a very good sequencer within the dynamic synth that can also be used as an arpeggiator. It requires a bit of programming however. Thanks for watching, TJ

Yes, we’ve all been hacking together arps using steps, LFOs, slicer etc but it’s nothing like a proper arpeggiator - especially if you sing. YMMV

You're right. It's better than nothing ;)

Thanks for watching, TJ

Yes, Quantum has 2 available layers. Thanks for watching, TJ

I have a UDO Super6 desktop. I get the vibe with that. Thanks for watching, TJ

@@tjontheroad Do you still have your Polybrute mate? I'll always remember that self generative patch you did on it a while back. That sounded incredible, just constantly moving and evolving. I'd love to hear you recreate that patch on the Quantum mk11, that would be quite something.

Yep, still have and love PolyBrute. I've built some generative patches on Quantum too.

@@tjontheroad did you show them on a video my mate, I must have missed it.

No, not created enough of those type of patches for a video. I'm currently working on other things.

Thanks for watching, TJ

The Emeo is plugged into a Conductive Labs MRCC MIDI interface via USB. The MRCC channels the input throughout my studio. Thanks for watching, TJ

@@tjontheroad Thank you! So do you have breath control 02, controlling different parameters on your hardware synths ? Your help is very appreciated, my good friend just bought an Emeo and we're trying to figure out how to trigger hardware synths.

The Boss expression pedal is also being used for Mod Wheel or Expression input. That is also channeled via the MRCC. This in replacement of Breath control.

@@tjontheroad So essentially we would map breath control to any parameter we want on a hardware synth? Can we just skip breath control and just trigger notes and velocity? Sorry for all the questions...MIDI wind is totally new to me. Thanks a million for your help so far!

Yes you need to program your synth for modulation of the desired parameter via breath. Breath control does not trigger notes. It only modulates the sound based on how you assign it in the synth. When playing the Emeo, three types of MIDI data are all sent to your synth. Note on/off, velocity, and continuous controller (breath). Note on/off triggers the sound. Velocity determines the initial sound loudness and/or other variations if assigned in the synth. Controller (breath) can be assigned within the synth to things like the filter cutoff, vibrato, post initial trigger loudness, etc. Note, every hardware and software synth is different. Some except breath control. Some don't.

Search for TJONTHEROAD on the QC app and it should be there. Thanks for watching, TJ

Thanks for watching, TJ

Yes, one box to kill them all would be awesome :) Thanks for watching, TJ

Você pode descobrir no site deles www.emeomusic.com Obrigado por assistir, TJ

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